The universe (which others call the Library)
is composed of an indefinite and perhaps infinite number of hexagonal
galleries, with vast air shafts between, surrounded by very low railings.
From any of the hexagons one can see, interminably, the upper and lower
floors. The distribution of the galleries is invariable. Twenty shelves,
five long shelves per side, cover all the sides except two; their height,
which is the distance from floor to ceiling, scarcely exceeds that of
a normal bookcase. One of the free sides leads to a narrow hallway which
opens onto another gallery, identical to the first and to all the rest.
To the left and right of the hallway there are two very small closets.
In the first, one may sleep standing up; in the other, satisfy one's fecal
necessities. Also through here passes a spiral stairway, which sinks abysmally
and soars upwards to remote distances. In the hallway there is a mirror
which faithfully duplicates all appearances. Men usually infer from this
mirror that the Library is not infinite (if it were, why this illusory
duplication?); I prefer to dream that its polished surfaces represent
and promise the infinite ... Light is provided by some spherical fruit
which bear the name of lamps. There are two, transversally placed, in
each hexagon. The light they emit is insufficient, incessant.
Like all men of the Library, I have traveled in my youth; I have wandered
in search of a book, perhaps the catalogue of catalogues; now that my
eyes can hardly decipher what I write, I am preparing to die just a few
leagues from the hexagon in which I was born. Once I am dead, there will
be no lack of pious hands to throw me over the railing; my grave will
be the fathomless air; my body will sink endlessly and decay and dissolve
in the wind generated by the fall, which is infinite. I say that the Library
is unending. The idealists argue that the hexagonal rooms are a necessary
form of absolute space or, at least, of our intuition of space. They reason
that a triangular or pentagonal room is inconceivable. (The mystics claim
that their ecstasy reveals to them a circular chamber containing a great
circular book, whose spine is continuous and which follows the complete
circle of the walls; but their testimony is suspect; their words, obscure.
This cyclical book is God.) Let it suffice now for me to repeat the classic
dictum: The Library is a sphere whose exact center is any one of its hexagons
and whose circumference is inaccessible.
There are five shelves for each of the hexagon's walls; each shelf contains
thirty-five books of uniform format; each book is of four hundred and
ten pages; each page, of forty lines, each line, of some eighty letters
which are black in color. There are also letters on the spine of each
book; these letters do not indicate or prefigure what the pages will say.
I know that this incoherence at one time seemed mysterious. Before summarizing
the solution (whose discovery, in spite of its tragic projections, is
perhaps the capital fact in history) I wish to recall a few axioms.
First: The Library exists ab aeterno. This truth, whose immediate corollary
is the future eternity of the world, cannot be placed in doubt by any
reasonable mind. Man, the imperfect librarian, may be the product of chance
or of malevolent demiurgi; the universe, with its elegant endowment of
shelves, of enigmatical volumes, of inexhaustible stairways for the traveler
and latrines for the seated librarian, can only be the work of a god.
To perceive the distance between the divine and the human, it is enough
to compare these crude wavering symbols which my fallible hand scrawls
on the cover of a book, with the organic letters inside: punctual, delicate,
perfectly black, inimitably symmetrical.
Second: The orthographical symbols are twenty-five in number. (1) This
finding made it possible, three hundred years ago, to formulate a general
theory of the Library and solve satisfactorily the problem which no conjecture
had deciphered: the formless and chaotic nature of almost all the books.
One which my father saw in a hexagon on circuit fifteen ninety-four was
made up of the letters MCV, perversely repeated from the first line to
the last. Another (very much consulted in this area) is a mere labyrinth
of letters, but the next-to-last page says Oh time thy pyramids. This
much is already known: for every sensible line of straightforward statement,
there are leagues of senseless cacophonies, verbal jumbles and incoherences.
(I know of an uncouth region whose librarians repudiate the vain and superstitious
custom of finding a meaning in books and equate it with that of finding
a meaning in dreams or in the chaotic lines of one's palm ... They admit
that the inventors of this writing imitated the twenty-five natural symbols,
but maintain that this application is accidental and that the books signify
nothing in themselves. This dictum, we shall see, is not entirely fallacious.)
For a long time it was believed that these impenetrable books corresponded
to past or remote languages. It is true that the most ancient men, the
first librarians, used a language quite different from the one we now
speak; it is true that a few miles to the right the tongue is dialectical
and that ninety floors farther up, it is incomprehensible. All this, I
repeat, is true, but four hundred and ten pages of inalterable MCV's cannot
correspond to any language, no matter how dialectical or rudimentary it
may be. Some insinuated that each letter could influence the following
one and that the value of MCV in the third line of page 71 was not the
one the same series may have in another position on another page, but
this vague thesis did not prevail. Others thought of cryptographs; generally,
this conjecture has been accepted, though not in the sense in which it
was formulated by its originators.
Five hundred years ago, the chief of an upper hexagon (2) came upon a
book as confusing as the others, but which had nearly two pages of homogeneous
lines. He showed his find to a wandering decoder who told him the lines
were written in Portuguese; others said they were Yiddish. Within a century,
the language was established: a Samoyedic Lithuanian dialect of Guarani,
with classical Arabian inflections. The content was also deciphered: some
notions of combinative analysis, illustrated with examples of variations
with unlimited repetition. These examples made it possible for a librarian
of genius to discover the fundamental law of the Library. This thinker
observed that all the books, no matter how diverse they might be, are
made up of the same elements: the space, the period, the comma, the twenty-two
letters of the alphabet. He also alleged a fact which travelers have confirmed:
In the vast Library there are no two identical books. From these two incontrovertible
premises he deduced that the Library is total and that its shelves register
all the possible combinations of the twenty-odd orthographical symbols
(a number which, though extremely vast, is not infinite): Everything:
the minutely detailed history of the future, the archangels' autobiographies,
the faithful catalogues of the Library, thousands and thousands of false
catalogues, the demonstration of the fallacy of those catalogues, the
demonstration of the fallacy of the true catalogue, the Gnostic gospel
of Basilides, the commentary on that gospel, the commentary on the commentary
on that gospel, the true story of your death, the translation of every
book in all languages, the interpolations of every book in all books.
When it was proclaimed that the Library contained all books, the first
impression was one of extravagant happiness. All men felt themselves to
be the masters of an intact and secret treasure. There was no personal
or world problem whose eloquent solution did not exist in some hexagon.
The universe was justified, the universe suddenly usurped the unlimited
dimensions of hope. At that time a great deal was said about the Vindications:
books of apology and prophecy which vindicated for all time the acts of
every man in the universe and retained prodigious arcana for his future.
Thousands of the greedy abandoned their sweet native hexagons and rushed
up the stairways, urged on by the vain intention of finding their Vindication.
These pilgrims disputed in the narrow corridors, proferred dark curses,
strangled each other on the divine stairways, flung the deceptive books
into the air shafts, met their death cast down in a similar fashion by
the inhabitants of remote regions. Others went mad ... The Vindications
exist (I have seen two which refer to persons of the future, to persons
who are perhaps not imaginary) but the searchers did not remember that
the possibility of a man's finding his Vindication, or some treacherous
variation thereof, can be computed as zero.
At that time it was also hoped that a clarification of humanity's basic
mysteries -- the origin of the Library and of time -- might be found.
It is verisimilar that these grave mysteries could be explained in words:
if the language of philosophers is not sufficient, the multiform Library
will have produced the unprecedented language required, with its vocabularies
and grammars. For four centuries now men have exhausted the hexagons ...
There are official searchers, inquisitors. I have seen them in the performance
of their function: they always arrive extremely tired from their journeys;
they speak of a broken stairway which almost killed them; they talk with
the librarian of galleries and stairs; sometimes they pick up the nearest
volume and leaf through it, looking for infamous words. Obviously, no
one expects to discover anything.
As was natural, this inordinate hope was followed by an excessive depression.
The certitude that some shelf in some hexagon held precious books and
that these precious books were inaccessible, seemed almost intolerable.
A blasphemous sect suggested that the searches should cease and that all
men should juggle letters and symbols until they constructed, by an improbable
gift of chance, these canonical books. The authorities were obliged to
issue severe orders. The sect disappeared, but in my childhood I have
seen old men who, for long periods of time, would hide in the latrines
with some metal disks in a forbidden dice cup and feebly mimic the divine
disorder.
Others, inversely, believed that it was fundamental to eliminate useless
works. They invaded the hexagons, showed credentials which were not always
false, leafed through a volume with displeasure and condemned whole shelves:
their hygienic, ascetic furor caused the senseless perdition of millions
of books. Their name is execrated, but those who deplore the ``treasures''
destroyed by this frenzy neglect two notable facts. One: the Library is
so enormous that any reduction of human origin is infinitesimal. The other:
every copy is unique, irreplaceable, but (since the Library is total)
there are always several hundred thousand imperfect facsimiles: works
which differ only in a letter or a comma. Counter to general opinion,
I venture to suppose that the consequences of the Purifiers' depredations
have been exaggerated by the horror these fanatics produced. They were
urged on by the delirium of trying to reach the books in the Crimson Hexagon:
books whose format is smaller than usual, all-powerful, illustrated and
magical.
We also know of another superstition of that time: that of the Man of
the Book. On some shelf in some hexagon (men reasoned) there must exist
a book which is the formula and perfect compendium of all the rest: some
librarian has gone through it and he is analogous to a god. In the language
of this zone vestiges of this remote functionary's cult still persist.
Many wandered in search of Him. For a century they have exhausted in vain
the most varied areas. How could one locate the venerated and secret hexagon
which housed Him? Someone proposed a regressive method: To locate book
A, consult first book B which indicates A's position; to locate book B,
consult first a book C, and so on to infinity ... In adventures such as
these, I have squandered and wasted my years. It does not seem unlikely
to me that there is a total book on some shelf of the universe; (3) I
pray to the unknown gods that a man -- just one, even though it were thousands
of years ago! -- may have examined and read it. If honor and wisdom and
happiness are not for me, let them be for others. Let heaven exist, though
my place be in hell. Let me be outraged and annihilated, but for one instant,
in one being, let Your enormous Library be justified. The impious maintain
that nonsense is normal in the Library and that the reasonable (and even
humble and pure coherence) is an almost miraculous exception. They speak
(I know) of the ``feverish Library whose chance volumes are constantly
in danger of changing into others and affirm, negate and confuse everything
like a delirious divinity.'' These words, which not only denounce the
disorder but exemplify it as well, notoriously prove their authors' abominable
taste and desperate ignorance. In truth, the Library includes all verbal
structures, all variations permitted by the twenty-five orthographical
symbols, but not a single example of absolute nonsense. It is useless
to observe that the best volume of the many hexagons under my administration
is entitled The Combed Thunderclap and another The Plaster Cramp and another
Axaxaxas mlö. These phrases, at first glance incoherent, can no doubt
be justified in a cryptographical or allegorical manner; such a justification
is verbal and, ex hypothesi, already figures in the Library. I cannot
combine some characters
dhcmrlchtdj
which the divine Library has not foreseen
and which in one of its secret tongues do not contain a terrible meaning.
No one can articulate a syllable which is not filled with tenderness and
fear, which is not, in one of these languages, the powerful name of a
god. To speak is to fall into tautology. This wordy and useless epistle
already exists in one of the thirty volumes of the five shelves of one
of the innumerable hexagons -- and its refutation as well. (An n number
of possible languages use the same vocabulary; in some of them, the symbol
library allows the correct definition a ubiquitous and lasting system
of hexagonal galleries, but library is bread or pyramid or anything else,
and these seven words which define it have another value. You who read
me, are You sure of understanding my language?)
The methodical task of writing distracts me from the present state of
men. The certitude that everything has been written negates us or turns
us into phantoms. I know of districts in which the young men prostrate
themselves before books and kiss their pages in a barbarous manner, but
they do not know how to decipher a single letter. Epidemics, heretical
conflicts, peregrinations which inevitably degenerate into banditry, have
decimated the population. I believe I have mentioned suicides, more and
more frequent with the years. Perhaps my old age and fearfulness deceive
me, but I suspect that the human species -- the unique species -- is about
to be extinguished, but the Library will endure: illuminated, solitary,
infinite, perfectly motionless, equipped with precious volumes, useless,
incorruptible, secret.
I have just written the word ``infinite.'' I have not interpolated this
adjective out of rhetorical habit; I say that it is not illogical to think
that the world is infinite. Those who judge it to be limited postulate
that in remote places the corridors and stairways and hexagons can conceivably
come to an end -- which is absurd. Those who imagine it to be without
limit forget that the possible number of books does have such a limit.
I venture to suggest this solution to the ancient problem: The Library
is unlimited and cyclical. If an eternal traveler were to cross it in
any direction, after centuries he would see that the same volumes were
repeated in the same disorder (which, thus repeated, would be an order:
the Order). My solitude is gladdened by this elegant hope. (4)
Translated by J. E. I.
Notes
--------------------------------------------------------------------------------
1 The original manuscript does not contain digits or capital
letters. The punctuation has been limited to the comma and the period.
These two signs, the space and the twenty-two letters of the alphabet
are the twenty-five symbols considered sufficient by this unknown author.
(Editor's note.)
2 Before, there was a man for every three hexagons. Suicide and pulmonary
diseases have destroyed that proportion. A memory of unspeakable melancholy:
at times I have traveled for many nights through corridors and along polished
stairways without finding a single librarian.
3 I repeat: it suffices that a book be possible for it to exist. Only
the impossible is excluded. For example: no book can be a ladder, although
no doubt there are books which discuss and negate and demonstrate this
possibility and others whose structure corresponds to that of a ladder.
4 Letizia Álvarez de Toledo has observed that this vast Library
is useless: rigorously speaking, a single volume would be sufficient,
a volume of ordinary format, printed in nine or ten point type, containing
an infinite number if infinitely thin leaves. (In the early seventeenth
century, Cavalieri said that all solid bodies are the superimposition
of an infinite number of planes.) The handling of this silky vade mecum
would not be convenient: each apparent page would unfold into other analogous
ones; the inconceivable middle page would have no reverse.
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